Click to see Taiwo’s profiles on: academia.edu, ORCID, Researchgate, and Google Scholar
Journal Articles [Peer-reviewed] 
Managing and enterprising independent theatre: sampling patterns from Nigeria. West Africa Theatre and Performing Arts Journal. Vol. 2:2, 2020. [forthcoming].
Praxis as Pedagogy in African Performance: Conceptualizing Jimi Solanke’s Theatre for Development Practice, African Performance Review, Vol. 10.2, 2020 [forthcoming]
Performing Arts-based Interventions in Post-conflict Zones: Critical and Ethical Question, NJ: Journal of Drama Australia, Vol. 43.1, 51-66, 2019.
Engaging the Social Media in Theatre Performances: The Implication for Theatre Managers. The Abuja Communicator, Vol. 2019
Nigerian home videos as a panacea for national development. Journal of English Literature and Cultural Studies, Vol 2.3, 17-27, 2019. [with Stephen Okpadah]
Becoming ethical through relational interaction: an examination of performance among IDP in Nigeria, Performing Ethos, Vol. 8, 3-18, 2018
“From ‘Their Stigma’ to ‘My Stigma’: An Examination of the ‘Skul Konekt’ Project among Adolescents in the North-central region of Nigeria”. Sage Open (Special Collection – Reproductive Health in Sub-Sahara Africa), 1-11, 2018.
Participatory Theatre and the Millennium Development Goals Crusades in Nigeria. Makurdi Journal of Arts and Culture, Vol. 15.1, 15-32, 2018
Theatre and Participation: towards a holistic notion of participation. Applied Theatre Research, Vol. 5.2, 67-82, 2017
A Study of the Dramaturgy of Fatalism in Lancelot Imasuen’s Invasion 1897. the quint: an interdisciplinary quarterly from the north, Vol. 10.1, 171-190, 2017 [with Stephen Okpadah]
Creativity and Play in Theatre for Children and Young Audience: The Ouagadougou Art Education Workshop Experience. Makurdi Journal of Arts and Culture, (MAJAC), Vol. 14.1, 115-132, 2017 [with Charles Etubiebi and Samson Oklobia]
Theatre and Participation: a critical examination of Sherry Arnstein’s ladder of Participation in the Kamiriithu theatre experience. Applied Theatre Research, Vol. 4.3, 205-221, 2016.
Theatre for Young Audience: The Danish Model. Research in Drama in Education: the Journal of Applied Theatre and Performance, Vol. 20.5, 483-489, 2015.
Drama, reflective, and corrective relevance: an examination of Victor Anyagu’s The Other Alternative. Humanity Jos Journal of General Studies. Vol. 5.1, 80-88, 2012.
Learning and Early Childhood: The Drama-in-Education (DIE) Approach. Journal of Child Development and Communication Disorder, Vol. 4, 71-89, 2012.
Preserving mankind from the cradle: community theatre for development and sex education in Tor Iorapuu’s ‘Had I Known…’ Journal of Child Development and Communication Disorder, Vol. 3, 47-64, 2012.
Slice of Life: Reflections and Refractions of Nigeria in Tor Iorapuu’s April 1421. Nigerian Theatre Journal, Journal of the Society of Nigeria Theatre Artistes. Vol. 10.1, 179-184, 2010 [with Festus Idoko]
Click to see Taiwo’s profiles on: academia.edu, ORCID, Researchgate, and Google Scholar
Book Chapters [Peer-reviewed]
“Functional arts: committed theatre praxis in Burkina Faso” In: The Routledge Companion to Applied Performance, London: Routledge (Ananda Breed and Tim Prenkti, eds.). 2020 (forthcoming).
“Film and campaign against gender-based violence in Africa: a study of Ije” In: Locating Transnational Spaces: culture, theatre and cinema, IATC and University of College of the North (Stephen Ogheneruro Okpadah, Sue Matteson and Prayer Elmo Raj, eds.). [with Stephen Okpadah], 36-48, 2020,
“Localization of education: Alternative decolonized approach to Knowledge Acquisition in Nigeria” In: Decolonizing Colonial Development Model: Theory and Practice A New Postcolonial Critique, London: Routledge (Patrick Madison and Luke Amadi, eds.) (forthcoming) [with Aanuoluwapo Afolabi],
“Devising as research: challenging power and ethics in methodology through the Onion theatre project” In: Why Devise? London: Routledge (Heather Fitzsimmons Frey, James McKinnon and Nicola Hyland, eds.). [with Leah Tidey], (forthcoming)
“Diversity Metrics? A reflection on themes from a refugee theatre project in Canada”, Cultural Policy Yearbook: Forced Migration and Cultural Production, edited by S. Ada, Istanbul: Cultural Policy and Management Research Centre & Iletisim Publisher. 2020, 56-64.
“Politics, theatre and echoes of separatism in Nigeria” In: Committed theatre in Nigeria: perspectives on teaching and practice. Lexington Books, (Segun Oyewo, Stephen Okpadah and Taiwo Afolabi, eds.). 2020. [with Stephen Okpadah]
“Shifting identities in new territories: creating theatre with and by immigrants”. Theatre and (Im)migration: New Essays on Canadian Theatre, Vol. 10, (Yana Meerzon, ed.), 451-471, 2019. [with Anita Hallewas and Kirsten Sadeghi-Yekta].
“The politics of representation of pedagogues in Nollywood: a critical analysis of Somewhere in Africa: The Cries of Humanity” In: Portrayals of Teachers and Teaching on Stage and Screen: Dramatic Depiction, Intellect Books (Diane Conrad and Monica Prendergast, eds.), 79-88, 2019. [with Stephen Okpadah]
“The Transiting Images of Nature in Ahmed Yerima’s Hard Ground” In: Ecocriticism: Critical Essays, Ibadan: Kraft Publishers (Emmanuel Emasealu and Desen Mbachaga, eds.), 78-90, 2018.
​“A study of cultural entrepreneurship approaches of Terra Kulture” In: African Theatre: Studies in Theory and Criticism, Ilorin: University of Ilorin Press and Accra: Methodist University Press, (Ziky Kofoworola, Martin Owusu, & Abdulrasheed Adeoye, eds.), 468-482, 2017.
“Gender Issue and Theater Performance in Promoting Wellness among Artistes” In: Harvest of Research Outcomes to Confirm achievement of Millennium Development Goals, Cullivier Verlag, Gottingen, Germany (Simeon, O. Jekayinfa, ed.), 296-303, 2016 [with Leah Dominic, Segun Oyewo and Musa O.]
“Art Mobility Initiative for Emerging Theatre Companies in Nigeria: Paradoxes and Mutations” In: Challenges of Mobility: Research, Debates, and Principles, Newcastle: Cambridge Scholars Publisher (Herman Bashiron Mendolicchio & Serene Huleileh, eds.), 137-150, 2015