Book Chapters [Peer-reviewed]
“Functional arts: committed theatre praxis in Burkina Faso” In: The Routledge Companion to Applied Performance, London: Routledge (Ananda Breed and Tim Prenkti, eds.). 2020 (forthcoming).
“Film and campaign against gender-based violence in Africa: a study of Ije” In: Locating Transnational Spaces: culture, theatre and cinema, IATC and University of College of the North (Stephen Ogheneruro Okpadah, Sue Matteson and Prayer Elmo Raj, eds.). [with Stephen Okpadah], 36-48, 2020,
“Localization of education: Alternative decolonized approach to Knowledge Acquisition in Nigeria” In: Decolonizing Colonial Development Model: Theory and Practice A New Postcolonial Critique, London: Routledge (Patrick Madison and Luke Amadi, eds.) (forthcoming) [with Aanuoluwapo Afolabi],
“Devising as research: challenging power and ethics in methodology through the Onion theatre project” In: Why Devise? London: Routledge (Heather Fitzsimmons Frey, James McKinnon and Nicola Hyland, eds.). [with Leah Tidey], (forthcoming)
“Diversity Metrics? A reflection on themes from a refugee theatre project in Canada”, Cultural Policy Yearbook: Forced Migration and Cultural Production, edited by S. Ada, Istanbul: Cultural Policy and Management Research Centre & Iletisim Publisher. 2020, 56-64.
“Politics, theatre and echoes of separatism in Nigeria” In: Committed theatre in Nigeria: perspectives on teaching and practice. Lexington Books, (Segun Oyewo, Stephen Okpadah and Taiwo Afolabi, eds.). 2020. [with Stephen Okpadah]
“Shifting identities in new territories: creating theatre with and by immigrants”. Theatre and (Im)migration: New Essays on Canadian Theatre, Vol. 10, (Yana Meerzon, ed.), 451-471, 2019. [with Anita Hallewas and Kirsten Sadeghi-Yekta].
“The politics of representation of pedagogues in Nollywood: a critical analysis of Somewhere in Africa: The Cries of Humanity” In: Portrayals of Teachers and Teaching on Stage and Screen: Dramatic Depiction, Intellect Books (Diane Conrad and Monica Prendergast, eds.), 79-88, 2019. [with Stephen Okpadah]
“The Transiting Images of Nature in Ahmed Yerima’s Hard Ground” In: Ecocriticism: Critical Essays, Ibadan: Kraft Publishers (Emmanuel Emasealu and Desen Mbachaga, eds.), 78-90, 2018.
“A study of cultural entrepreneurship approaches of Terra Kulture” In: African Theatre: Studies in Theory and Criticism, Ilorin: University of Ilorin Press and Accra: Methodist University Press, (Ziky Kofoworola, Martin Owusu, & Abdulrasheed Adeoye, eds.), 468-482, 2017.
“Gender Issue and Theater Performance in Promoting Wellness among Artistes” In: Harvest of Research Outcomes to Confirm achievement of Millennium Development Goals, Cullivier Verlag, Gottingen, Germany (Simeon, O. Jekayinfa, ed.), 296-303, 2016 [with Leah Dominic, Segun Oyewo and Musa O.]
“Art Mobility Initiative for Emerging Theatre Companies in Nigeria: Paradoxes and Mutations” In: Challenges of Mobility: Research, Debates, and Principles, Newcastle: Cambridge Scholars Publisher (Herman Bashiron Mendolicchio & Serene Huleileh, eds.), 137-150, 2015